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Fall Registration Opens Aug 17
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ARTH 46 — Masterworks: Uncovering Hidden Meaning Within Great Paintings

Quarter: Fall
Instructor(s): Bruce Elliott
Duration: 8 weeks
Location: Online
Date(s): Oct 1—Nov 19
Class Recording Available: Yes
Class Meeting Day: Thursdays
 
Class Meeting Time: 7:00—8:50 pm (PT)
Tuition: $495
   
Refund Deadline: Oct 3
 
Unit(s): 1
   
Enrollment Limit: 100
  
Status: Registration opens Aug 17, 8:30 am (PT)
 
Quarter: Fall
Day: Thursdays
Duration: 8 weeks
Time: 7:00—8:50 pm (PT)
Date(s): Oct 1—Nov 19
Unit(s): 1
Location: Online
 
Tuition: $495
 
Refund Deadline: Oct 3
 
Instructor(s): Bruce Elliott
 
Enrollment Limit: 100
 
Recording Available: Yes
 
Status: Registration opens Aug 17, 8:30 am (PT)
 
 
Art has never been created for "the ages." Paintings we now regard as timeless masterpieces were created for viewers from the artist's own time and circumstances. Consequently, much of their embedded meaning is often lost on today's audiences. This course lifts the veil by providing cultural context and historical perspective for classical paintings, putting modern viewers more in the mindset of each artist's contemporary audience.

The course is structured around elemental themes that have inspired some of the Western world's most magnificent and enigmatic works of art: Art of Creation, divine and artistic; Art of Transformation, religious and spiritual; and Art of Mythology, by Renaissance artists and Classicist masters. Each class session will focus on four masterpieces devoted to one of these themes, including Botticelli’s Primavera, Michelangelo's Creation of Adam, Rembrandt's Return of the Prodigal Son, and Caravaggio’s Conversion of Saint Paul. The course concludes by contextualizing groundbreaking works by modern painters like Claude Monet and Mark Rothko.

BRUCE ELLIOTT
Independent Scholar

Bruce Elliott has taught courses in cultural history for Continuing Studies at Stanford for over 20 years. He has also taught extensively for lifelong learning programs at UC Berkeley, Sonoma State, and Dominican University. His courses highlight the dynamic interaction between historical developments and artistic expression. Elliott received a PhD in European history from UC Berkeley.