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Summer Registration Opens May 18
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ARTH 61 — Introduction to Roman Art and Architecture

Quarter: Summer
Instructor(s): Patrick R. Crowley
Duration: 8 weeks
Location: Online
Date(s): Jun 23—Aug 11
Class Recording Available: Yes
Class Meeting Day: Tuesdays
Grade Restriction: No letter grade
Class Meeting Time: 7:00—8:50 pm (PT)
Tuition: $475
   
Refund Deadline: Jun 25
 
Unit(s): 1
   
Status: Registration opens May 18, 8:30 am (PT)
 
Quarter: Summer
Day: Tuesdays
Duration: 8 weeks
Time: 7:00—8:50 pm (PT)
Date(s): Jun 23—Aug 11
Unit(s): 1
Location: Online
 
Tuition: $475
 
Refund Deadline: Jun 25
 
Instructor(s): Patrick R. Crowley
 
Grade Restriction: No letter grade
 
Recording Available: Yes
 
Status: Registration opens May 18, 8:30 am (PT)
 
 
This course offers a sweeping survey of the art and architecture of the Roman world, from the founding of Rome in the 8th century BCE to the transfer of the capital to Constantinople in the 4th century CE. Students will trace Rome’s transformation from a modest settlement of huts amid central Italy’s marshlands into the dynamic center of a vast empire spanning extraordinary distances of space and time. We’ll explore topics such as Roman building techniques and urbanism, the relationship between Greek and Roman art, the politics and power encoded in Roman portraiture, the twinned destruction and preservation of Pompeii and other towns in the Bay of Naples, architectural marvels such as the Colosseum and the Pantheon, and the rise of Christianity. We’ll examine how buildings and artifacts created by diverse peoples across the empire reveal broader historical, political, and cultural patterns. What, we will begin and end by asking, is Roman about Roman art?

PATRICK R. CROWLEY
Associate Curator of European Art, Cantor Arts Center, Stanford

Patrick R. Crowley received a PhD from Columbia and is the author of The Phantom Image: Seeing the Dead in Ancient Rome. Before joining the Cantor Arts Center, he was an assistant professor of art history at the University of Chicago. His work has been supported by the J. Paul Getty Trust, the National Endowment for the Humanities, and the Center for Advanced Study in the Visual Arts in Washington, DC.