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Spring Registration Opens Feb 23
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CW 108 — The Power of Objects in Fiction: A Generative Craft Intensive

Quarter: Spring
Instructor(s): Jackie Thomas-Kennedy
Duration: 6 weeks
Location: Online
Date(s): Apr 8—May 13
Class Recording Available: Yes
Class Meeting Day: Wednesdays
Grade Restriction: No letter grade
Class Meeting Time: 6:30—9:00 pm (PT)
Tuition: $655
   
Refund Deadline: Apr 10
 
Unit(s): 1
   
Enrollment Limit: 18
  
Status: Registration opens Feb 23, 8:30 am (PT)
 
Quarter: Spring
Day: Wednesdays
Duration: 6 weeks
Time: 6:30—9:00 pm (PT)
Date(s): Apr 8—May 13
Unit(s): 1
Location: Online
 
Tuition: $655
 
Refund Deadline: Apr 10
 
Instructor(s): Jackie Thomas-Kennedy
 
Grade Restriction: No letter grade
 
Enrollment Limit: 18
 
Recording Available: Yes
 
Status: Registration opens Feb 23, 8:30 am (PT)
 
 
In successful fiction, characters live within a tangible world. That world is made of objects—their surroundings, tools, possessions, and keepsakes—all revealing who they are and what they value. Every item a writer places on the page offers a chance to shape setting, develop character, and heighten emotional resonance. In this course, we’ll examine how master storytellers such as John Cheever, Brandon Taylor, Ann Beattie, James Baldwin, and Lorrie Moore use objects to create meaning and build momentum. Each class will begin with a short lecture, followed by close discussion of the readings and a related in-class writing exercise to be shared for oral feedback. Students may use these exercises to develop existing projects or start something new. By the end, participants will have a portfolio of scenes, sketches, and dialogue excerpts demonstrating the power of objects to make fiction feel real.

JACKIE THOMAS-KENNEDY
Author

Jackie Thomas-Kennedy’s debut novel, The Other Wife, was included in The New York Times list of The Summer’s Best Beach Reads. Her book reviews have appeared in The Washington Post and Harvard Review, and her stories have been published in numerous literary magazines. A former Wallace Stegner Fellow at Stanford, she has received fellowships from the Fine Arts Work Center, MacDowell, Yaddo, Ucross, and Saltonstall. She received an MFA in fiction from Columbia School of the Arts.