OWC 304 A — Novel II: Plot and Structure
Quarter: Spring
Instructor(s): Stephanie Reents
Date(s): Mar 30—Jun 1
Class Recording Available: Yes
Class Meeting Day: Mondays
Grade Restriction: Letter grade only
Class Meeting Time: 5:30—6:45 pm (PT)
Please Note: Class will meet on Mondays, March 30 - June 1, 5:30 - 6:45 pm (PT). Note: No class Monday, May 25. That week class will meet on Tuesday, May 26 instead.
Tuition: $1240
Refund Deadline: Apr 1
Unit(s): 2
Enrollment Limit: 15
Status: Registration opens Feb 23, 8:30 am (PT)
Quarter: Spring
Day: Mondays
Duration: 10 weeks
Time: 5:30—6:45 pm (PT)
Date(s): Mar 30—Jun 1
Unit(s): 2
Tuition: $1240
Refund Deadline: Apr 1
Instructor(s): Stephanie Reents
Grade Restriction: Letter grade only
Enrollment Limit: 15
Recording Available: Yes
Status: Registration opens Feb 23, 8:30 am (PT)
Please Note: Class will meet on Mondays, March 30 - June 1, 5:30 - 6:45 pm (PT). Note: No class Monday, May 25. That week class will meet on Tuesday, May 26 instead.
This course is not open to the public, but rather by admission only. For more information on the Online Writing Certificate Program and its application process, please click here.
In this course, students will focus on how to create and sustain the “long middle” of their novels, continuing their journey toward the completion of their manuscript. The long middle is the area where plot and structure of the novel are most important, because we may have lost that burst of energy that propelled our beginnings, but the end is not yet in sight. This course will teach students how to continue building suspense and intensity past the inciting incident by alternating between different subplots and points of view, to ensure modulation; and framing scenes and chapters for maximum tension, to keep readers turning pages.
In this course, students will focus on how to create and sustain the “long middle” of their novels, continuing their journey toward the completion of their manuscript. The long middle is the area where plot and structure of the novel are most important, because we may have lost that burst of energy that propelled our beginnings, but the end is not yet in sight. This course will teach students how to continue building suspense and intensity past the inciting incident by alternating between different subplots and points of view, to ensure modulation; and framing scenes and chapters for maximum tension, to keep readers turning pages.