CNF 91 — Memoir Workshop: How to Start Your Story
Quarter: Spring
Instructor(s): Monica Wesolowska
Date(s): Apr 26
Class Recording Available: No
Class Meeting Day: Saturday
Grade Restriction: NGR only; no credit/letter grade
Class Meeting Time: 9:00 am—3:00 pm (PT)
Tuition: $305
Refund Deadline: Apr 19
Unit(s): 0
Enrollment Limit: 18
Status: Registration opens Feb 24, 8:30 am (PT)
Quarter: Spring
Day: Saturday
Duration: 1 day
Time: 9:00 am—3:00 pm (PT)
Date(s): Apr 26
Unit(s): 0
Tuition: $305
Refund Deadline: Apr 19
Instructor(s): Monica Wesolowska
Grade Restriction: NGR only; no credit/letter grade
Enrollment Limit: 18
Recording Available: No
Status: Registration opens Feb 24, 8:30 am (PT)
Whether you have attempted to write memoir before or not, this course is designed to give you a fresh start. Brain researchers tell us that memories aren’t stored intact but get “rewritten” each time we remember them. What does this mean for your story? Is it possible to include something you can’t quite remember? Can you write your own version of someone else’s story? We will start this workshop exploring how memory works and what that means for us as writers. We will work to dispel any critical voices that may prevent you from writing fully about your own life. From there, we will get practical, discussing the components necessary to draw a reader into a memoir, such as setting, character, and theme. Moving on to the issue of voice, we will read a variety of excerpts from such writers as Jo Ann Beard, Kiese Laymon, Maxine Hong Kingston, and Paul Auster. You will have an opportunity to share your own story and experiment with starting it from a fresh perspective. There are innumerable ways to tell a story, and by the end of the workshop, you should have a fresh start for your own story and the inspiration to keep it going.
MONICA WESOLOWSKA
Author and Editor
Monica Wesolowska is the author of the memoir Holding Silvan: A Brief Life (named a Best Book of 2013 by The Boston Globe and Library Journal) as well as two children's picture books, Leo + Lea and Elbert in the Air. Her essays and short stories have been published in a wide variety of venues, including the Modern Love column of The New York Times. A former fellow at the Fine Arts Work Center in Provincetown, Massachusetts, she has taught creative writing for over two decades at UC Berkeley Extension, Stanford Continuing Studies, Left Margin LIT, and elsewhere around the Bay Area. She also works one-on-one with clients as an independent editor. Textbooks for this course:
There are no required textbooks; however, some fee-based online readings may be assigned.