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ART 50 — Calligraphy and Letterform: History, Methods, and Practice

Quarter: Summer
Instructor(s): Ann Miller
Duration: 6 weeks
Location: Online
Date(s): Jul 16—Aug 20
Class Recording Available: Yes
Class Meeting Day: Wednesdays
 
Class Meeting Time: 7:00—8:50 pm (PT)
Tuition: $385
   
Refund Deadline: Jul 18
 
Unit(s): 1
   
Enrollment Limit: 35
  
Status: Open
 
Quarter: Summer
Day: Wednesdays
Duration: 6 weeks
Time: 7:00—8:50 pm (PT)
Date(s): Jul 16—Aug 20
Unit(s): 1
Location: Online
 
Tuition: $385
 
Refund Deadline: Jul 18
 
Instructor(s): Ann Miller
 
Enrollment Limit: 35
 
Recording Available: Yes
 
Status: Open
 
Calligraphy is visual music, meditative and seismic, capable of conveying personal meaning. Letterform is a blend of structure and movement, and its background reaches back many thousands of years. In this course, students will learn how to write formal calligraphy scripts with confidence. We will begin by learning the basic structures of the Roman alphabet, stroke techniques using pen and ink, and a time-honored grid system for organizing a page layout. We will also cover a contemporary approach to freehand writing with pencil, brush, and marker, focusing on rhythm and spacing, pressure and release, and spontaneous invention. We will study four formal scripts in depth: Irish Uncial, a great beginning hand; the classic upright 15th-century Humanist Minuscule, the basis of our print script; Gothic Blackletter, noted for its structural system and graphic impact; and Italic, our foundation for fluid cursive writing. Weekly assignments will include alphabet practice, small writing projects, and several more complex design projects. Each class session will include live demonstrations of technique, assignment instructions and lecture, and time for feedback and discussion. Exercises will cover correct form, positive/negative relationships of letterforms, visual rhythms, textures, and forces, and many other specific aspects of text art and design. By focusing on individual components of the modular scripts, we can absorb a huge subject without being overwhelmed.

Prior experience in calligraphy is helpful but not required. Students must purchase their own art supplies for this course and can expect to spend an additional $85–$100 on these materials.

ANN MILLER
Artist

Ann Miller works with figure drawing, painting, calligraphy, and illustration. She received an MA in art from Stanford, studied fine art with Nathan Oliveira and Richard Diebenkorn, and founded M2 Design. She was an adjunct instructor for the Academy of Art University and created 15 book arts workshops for the San Francisco Center for the Book. Her work has been published in Letter Arts Review, Alphabet, Bound & Lettered, and The Art of Language. Miller’s work can be viewed at pennib.com.

Textbooks for this course:

There are no required textbooks; however, some fee-based online readings may be assigned.