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FICT 78 — The Short Story for Absolute Beginners

Quarter: Winter
Day(s): Wednesdays
Course Format: Live Online (About Formats)
Duration: 8 weeks
Date(s): Jan 26—Mar 16
Time: 6:30—9:20 pm (PT)
Refund Deadline: Jan 28
Units: 2
Tuition: $595
Instructor(s): Daniel Orozco
Limit: 24
Class Recording Available: Yes
Status: Registration opens Nov 29, 8:30 am (PT)
 
DOWNLOAD THE SYLLABUS » (subject to change)
Winter
Live Online(About Formats)
Wednesdays
6:30—9:20 pm (PT)
Date(s)
Jan 26—Mar 16
8 weeks
Refund Date
Jan 28
2 Units
Fees
$595
Instructor(s):
Daniel Orozco
Limit
24
Recording
Yes
Registration opens Nov 29, 8:30 am (PT)
DOWNLOAD THE SYLLABUS » (subject to change)
Back in 1842, Edgar Allan Poe said this of the short story: “The unity of effect or impression is a point of the greatest importance, [and] cannot be thoroughly preserved in productions whose perusal cannot be completed at one sitting.” In other words, less is more. The short story attains its dramatic heft mainly by being short, and the best stories derive their emotive power over the reader via elision, compression, and concision—the three essential methodologies for all practitioners of the form.

As you work through a series of assignments, you’ll conceive, build, and develop a story. We’ll talk about your work and about exemplary works from contemporary masters. We’ll talk about first sentences, first paragraphs, world-building, and foreshadowing; about John Gardner’s “profluence,” James Joyce’s “epiphany,” and Jerome Stern’s “shapes of fiction”; about conflict, crisis, tension, and closure.

This introductory course presumes no expertise with the short story form. Discussion of your assignments will be supportive and respectful, exploratory and generative, rather than prescriptive. Your primary goal is not to finish a story per se, but rather to learn and understand the fundamental elements of all short stories, honing and enriching your reading and writing practice into the future.

DANIEL OROZCO
Professor Emeritus, Creative Writing Program, University of Idaho; Former Stegner Fellow and Jones Lecturer, Stanford

Daniel Orozco is the author of Orientation and Other Stories. His work has appeared in The Best American Short Stories, The Best American Mystery Stories, The Best American Essays, and Pushcart Prize anthologies. He has received an NEA fellowship and the Whiting Award.

Textbooks for this course:

(Required) Jerome Stern, Micro Fiction: An Anthology of Really Short Stories (ISBN 978-0393314328)