CNF 07 — The Personal Presence: Memoirs, Articles, and Essays
Course Format: On-campus
Duration: 10 weeks
Date(s): Jan 17—Mar 21
Time: 6:30—9:20 pm
Drop Deadline: Jan 30
Instructor(s): Lynn Stegner
Jan 17—Mar 21
No matter the subject of a memoir or essay—from short-order cooking in Omaha to opera appreciation in Vienna—the author’s personal presence not only heightens narrative credibility, but also brings the experience to life for readers. This course will help students discover their own personal nonfiction voice, choose meaningful and dramatic material, sort and sift that material for composition, balance the objective with the subjective, maintain interpretive distance, and finally, understand how narrative can shape and illuminate their life stories. We will explore constructing a dramatic context for the often-flat or wandering line of actualities, as well as learn how to edit out insignificant details and content that distracts from underlying themes—because even nonfiction narratives are orchestrated along a thematic axis. Readings will include work by Edward Hoagland, Gretel Ehrlich, Moritz Thomsen, Anne Fadiman, David Quammen, Joan Didion, George Orwell, and others as we progress through a series of practical lessons that will take our writing from start to finish. Moving through subject selection, early drafts, revision, and final edits, students will present essays or chapters from a memoir for roundtable discussion and critique.
Lynn Stegner, AuthorLynn Stegner has published four novels and a collection of stories. Undertow and Fata Morgana were both nominated for the National Book Award and the Pulitzer Prize, and Pipers at the Gates of Dawn was awarded a Faulkner Society Gold Medal. Her novel Because a Fire Was in My Head was a New York Times Editors’ Choice. She received a fellowship from the National Endowment for the Arts, as well as a Fulbright Scholarship to Ireland.
Textbooks for this course:
There are no required textbooks; however, some fee-based online readings may be assigned.