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POET 28 W — Poems of Beauty and Power: Poetry Workshop

Quarter: Winter
Instructor(s): Shann Ray
Duration: 10 weeks
Location: Online
Date(s): Jan 13—Mar 17
Class Recording Available: Yes
Class Meeting Day: Tuesdays
 
Class Meeting Time: 6:00—7:00 pm (PT)
Tuition: $1000
   
Refund Deadline: Jan 15
 
Unit(s): 2
   
Enrollment Limit: 18
  
Status: Closed
 
Quarter: Winter
Day: Tuesdays
Duration: 10 weeks
Time: 6:00—7:00 pm (PT)
Date(s): Jan 13—Mar 17
Unit(s): 2
Location: Online
 
Tuition: $1000
 
Refund Deadline: Jan 15
 
Instructor(s): Shann Ray
 
Enrollment Limit: 18
 
Recording Available: Yes
 
Status: Closed
 
In fragments found on the backs of envelopes, Emily Dickinson wrote of hope, work, and immortality in the form of a bird, a bumblebee, and a carriage. Her circumscribed life provided fodder to write about big ideas using the images available to her. Even in the isolation the stunning chaos of life brings to so many, the good soil of poetry awaits.

In this course, you will discover ways not only to use what you see all around you in order to access big ideas, but also to think like Dickinson and write beyond the confines of what you know. We will study elements of poetry, from what triggers a poem to the sonic delight of lines, tackling the challenge of writing about transformative things and experiencing the joy of finding the right ending. We'll learn how poets like Joy Harjo, Natalie Diaz, and Layli Long Soldier use image, sound, history, and vision to craft poems of beauty and power. We'll then apply these techniques to weekly writing assignments, reviewed in online workshops, and also share our thoughts on poetry during optional virtual meetings. Upon completion of the course, students will better understand how great ideas feed poetic form and have a group of poems ready for publication.

Since most of the learning in this course takes place asynchronously in threaded discussions on the Canvas classroom site, the live Zoom sessions are limited to 60 minutes per week.

SHANN RAY
Poet

Shann Ray teaches leadership and forgiveness studies at Gonzaga and poetry at Stanford. A National Endowment for the Arts Fellow, he has been a visiting scholar of forgiveness and genocide in Africa, Asia, Europe, and the Americas and has presented his poetry at Cambridge and Princeton Theological Seminary. He is the recipient of the American Book Award, the High Plains International Book Award, and the Subterrain Poetry Prize in Canada. His work comprises a libretto and 17 books, including Atomic Theory 7, Where Blackbirds Fly, Sweetclover, Blood Fire Vapor Smoke, and Transparent in the Backlight. His poetry and prose have been featured in Esquire, Narrative, McSweeney’s, Big Sky Journal, America, and Poetry.

Textbooks for this course:

(Required) Joy Harjo (Ed.), When the Light of the World was Subdued, Our Songs Came Through: A Norton Anthology of Native Nations Poetry (ISBN 978-0393356809)
(Required) Natalie Diaz, Postcolonial Love Poem (ISBN 978-1644450147 )
(Required) John Murillo, Kontemporary Amerikan Poetry (ISBN 978-1945588471)
(Required) Ross Gay, Catalog of unabashed gratitude (ISBN 978-0822963318)