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NVL 06 W — How to Start Your Novel and Keep It Going

Quarter: Winter
Course Format: Flex Online (About Formats)
Duration: 10 weeks
Date(s): Jan 11—Mar 19
Drop Deadline: Jan 14
Units: 3
Tuition: $910
Instructor(s): Angela Pneuman
Limit: 20
Status: Registration opens Nov 30, 8:30 am (PT)
Please Note: Some of our refund deadlines have changed. See this course's drop deadline above and click here for the full policy.
Winter
Flex Online(About Formats)
Date(s)
Jan 11—Mar 19
10 weeks
Drop By
Jan 14
3 Units
Fees
$910
Instructor(s):
Angela Pneuman
Limit
20
Registration opens Nov 30, 8:30 am (PT)
Please Note: Some of our refund deadlines have changed. See this course's drop deadline above and click here for the full policy.
Starting a novel is an exciting venture—and one that can soon turn daunting. Unlike the compressed energy of a short story, the novel’s world spools out over time and often involves the management of layered plots and a large cast of characters. But these challenges are also opportunities. In this course, we will look at published novel beginnings to discover the narrative “engines” of the early chapters. We will also investigate the way writers such as Brit Bennett, Scott Turow, and Alice Sebold maintain narrative tension throughout their books. We will talk about how this tension “shapes” finished work from these writers and from students’ own favorite writers. With short writing assignments, we will try out different approaches to our own novel beginnings, and each student will be able to workshop one early chapter for helpful feedback.

This course is designed for writers who are just starting out on their novels, as well as those who have novels well under way and are already thinking about revision.

Angela Pneuman, Former Stegner Fellow, Stanford; Executive Director, Napa Valley Writers’ Conference

Angela Pneuman is the author of the novel Lay It on My Heart and the short story collection Home Remedies. Her fiction has appeared in The Best American Short Stories, Glimmer Train, The Virginia Quarterly Review, New England Review, and Ploughshares, and she is a contributor to Salon, The Believer, and The Rumpus. She received an MFA from Indiana University and a PhD in English from SUNY Albany.

Textbooks for this course:

(Required) Stephen Koch, The Modern Library Writer's Workshop (ISBN 978-0375755583)
DOWNLOAD THE PRELIMINARY SYLLABUS » (subject to change)