fullscreen background
Skip to main content

Summer Quarter

Summer Quarter Underway
Late-Start Classes
Still Available
shopping cart icon0


« Back to Creative Writing

FICT 65 — Fiction Writing Fundamentals: Discovering and Working with Your Best Material

Quarter: Summer
Day(s): Tuesdays
Course Format: On-campus
Duration: 6 weeks
Date(s): Jun 26—Aug 7
Time: 6:30—9:30 pm
Drop Deadline: Jul 9
Unit: 1
Tuition: $490
Instructor(s): Angela Pneuman
Limit: 21
Status: Closed
Please Note: No class on July 31
6:30—9:30 pm
Jun 26—Aug 7
6 weeks
Drop By
Jul 9
1 Unit
Angela Pneuman
Please Note: No class on July 31
Where do we find the most compelling material for fiction? The hidden possibilities of drama may be cloaked behind what’s most familiar to us, or they may be roaming around in the furthest reaches of our imagination. This course works on the premise that all material, even the most inventive, comes out of close attention to memory, experience, and the ever-widening circles of our imagination. Learning how to coax the best material into consciousness—again and again—is a big part of the writing life. In this course, students will have the chance to discover and work with their own fiction material. Brief in-class and take-home writing exercises are designed to stimulate memory and the imagination, and to emphasize how both are inextricable from language. Mini-lectures will help build a vocabulary around elements of storytelling like character, point of view, and conflict. We will also look at short stories and novel excerpts from masterful writers such as Julie Otsuka, Tobias Wolff, and Yiyun Li. In addition to select small-group work, each student will have the chance to workshop a short story or pages from a novel for instructor and group feedback. This course works well for anyone at work on a novel or a short story—or anyone who wants to start.

Angela Pneuman, Former Stegner Fellow, Stanford

Angela Pneuman is the author of the novel Lay It on My Heart and the short story collection Home Remedies. Her fiction has appeared in The Best American Short Stories, The Iowa Review, New England Review, Ploughshares, and the Los Angeles Review, and she is a contributor to Salon, The Believer, and The Rumpus. She received an MFA in writing from Indiana University and a PhD in English from SUNY Albany.

Textbooks for this course:

(Required) Lorrie Moore, ed, Best American Short Stories 2004 (ISBN 0618197354)
(Required) Stephen Koch, Modern Library Writers Workshop (ISBN 0375755586)